Mula sa Puso is a Filipino television series originally aired by ABS-CBN from March 10, 1997 to April 9, 1999. Claudine Barretto, Rico Yan, and Diether Ocampo played the roles of the main protagonists in the series. It was re-aired in 2008 through Studio 23 and Kapamilya Channel, which are both ABS-CBN subsidiaries. A 2011 remake, starring Lauren Young, JM De Guzman and Enrique Gil, aired on ABS-CBN from March 28, 2011 to August 12, 2011.The show also gave critical acclaim to director Wenn V. Deramas as his first prime time soap project and as a director and gave character actress Princess Punzalan critical acclaim for her character and antagonist as the phenomenal Selina Perriera-Matias which was also reincarnated again for the television remake by award-winning soap actress Eula Valdez. It was also known for being the most competitive soap, tied with Esperanza, which also ran from 1997 to 1999 and also spanned a film and a soundtrack entitled "Mula Sa Puso ni Esperanza" the TV series had various crossovers with prime time dramas such as Esperanza and the short-lived Mini series Sa Sandaling Kailangan Mo Ako.

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Halik Sa Apoy or Fiery Kiss is a Filipino drama series produced by Viva Television and aired over GMA Network. It stars Carmina Villaroel, Ynez Veneracion, Bobby Andrews and Tirzo Cruz III. The series was directed by Jay Altarejos.

Royal scribe Janek is falsely accused of stealing a nobleman’s jeweled chest and must flee the kingdom to save his life, chased by the sinister Lord Dietrich who demands Princess Amálka’s hand for the missing treasure. Amálka defies her betrothal to join Janek, and together they unravel a centuries-old conspiracy, expose the true thief marked by a mysterious symbol, and discover their growing love, while their pursuers close in.

Sa Bangji was an intersex person who according to historical records lived during Korea’s Joseon Dynasty. Taken in by a kindly benefactor, Sa Bangji lives in a monastery that is one day visited by a young widow, Lee So-sa, who is in mourning following the death of her husband. The pair’s meeting seems predestined, with the erotic attraction between Sa Bangji and Lee So-sa soon evolving into something far more transcendent – and dangerous. While aspects of the film – its stylised depiction of female actors and sex – identify it as a product of its time, Sa Bangji is undeniably a milestone in screen representations of intersex people, a film that refuses to shy away from the horrendous stigmatization faced by its titular character.

Teen lovers are separated by parental snobbery